Sarah Darroch, History work placement student, has been working with us and her colleague Rachael to update our Glasgow themed resource guide. Sarah was particularly taken by the George Wyllie papers and features the collection in her article, below.
Undertaking the work placement module at the Strathclyde Archives and Special Collections as a student doing an MSc in Historical Studies has proved to be an exciting and fulfilling role. Participating in the Glasgow 850 celebrations, by focusing on the Glasgow-related collections here, has allowed me to explore a multitude of collections relating to the rich history of Glasgow with a focus on the Robertson collection, the Glasgow Dilettanti Society, the Glasgow Novel collection and the George Wyllie collection. I took a particular interest in the works of Wyllie, who donated his papers to the University between 2006 and 2009.
Wyllie was well-known for his innovation, interactive exhibits and often theatrical interpretations of art and forms of sculpture. ‘A Day Down a Goldmine’ (1982) aimed to represent Glasgow and its people, interpreting monetary value from the working-class perspectives of mine workers during the Thatcher government. ‘Running Clock’ (2000) is a staple to the streets of Glasgow city: positioned outside of the Buchanan Bus Station. It embodies the hustle and bustle of the city while also providing functionality by telling the time to passersby. This sculpture is a particular favourite of mine, I believe it to be the perfect balance of symbolism and functionality, highlighting the busy nature of the city while also being somewhat comic in its pose.
George Wyllie’s innovative outlook on the collaboration of culture and artwork and his coining of the term ‘scul?ture’ aimed to leave viewers of his work with a lingering question in their minds. He often made references to Glasgow’s declining industry but also explored the idea of climate crisis and took these concepts outwith the city of Glasgow on his travels around the world. The archive includes documentation of these travels and ideas contained in Wyllie’s sketchbooks, which provide a unique and fascinating insight into the backbone of his work.
The George Wyllie papers are available to view at the University of Strathclyde Archives and Special Collections, including correspondence, sketchbooks, writings, newspaper articles, exhibition papers, photographs, and awards. You can also find the oration presented by Professor A Reed for the Degree of Doctor of Letters awarded to Wyllie by the University in April 1990 for his artistic successes and this ‘gentle wit and sharp humour’ towards life and his work.
Further information:
George Wyllie papers (ref: T-WYL)
Our latest archival display (June - September 2025) on Level 3 of the Library showcases some of the collections featured in the enhanced resource guide.
We are pleased to share Rachael Quigley’s article about the research she conducted as part of her History work placement. Rachael, and her colleague Sarah, researched our collections relating to Glasgow and populated our Glasgow resource guide.
As an MSc Health History student at Strathclyde, I was given the opportunity to undertake an eight-week placement within the Archives & Special Collections Reading Room. Within this time, I have been able to delve into some of the amazing collections that are held here.
Along with my fellow MSc student Sarah, we were tasked with the exciting opportunity to create a resource guide for the Glasgow-related collections, to time in with the celebration of Glasgow 850. We both chose collections which stood out to us – which was a difficult task within itself as they all hold such fascinating material.
A particular highlight of my research has been the Kirkwood Papers. This collection documents the thinking and lifelong work of Colin Kirkwood, and his wife Gerri (Geraldine) Kirkwood, along with their many collaborators and friends. The couple led a life which was filled with important work in community activism, particularly in the inner-city scheme of Castlemilk, and adult education, as seen in the provision of Writers Workshops in Glasgow, Edinburgh, and across Scotland.
While looking through the collection, I found myself responding with a range of emotions. Colin Kirkwood was a strong believer in the power of ordinary people over authority rule and took it upon himself to facilitate and encourage individuals within schemes like Castlemilk to express themselves and see the value of their own words.
Within the ‘Mud and Stars’ Castlemilk writers workshop publication within the collection, there are strong themes: working-class struggles and despair, about having little money and worries of losing their jobs, their homes and their lives. But within this, there are many humorous stories, some written in Glasgow slang, about the day-to-day working-class life in a Glasgow scheme.
What I took from looking at this part of the collection was that the Kirkwood’s beliefs and intentions were evident in the products of their work. Colin and Gerri Kirkwood saw potential in a scheme with a rough exterior but with a strong community full of voices to be heard. This feeling can be drawn out of some of the stories within ‘Mud and Stars’, which speak of the fresh-aired haven that Castlemilk was supposed to be when everyone moved there. It was contrasted with overcrowded and deteriorating schemes like the Gorbals and was seen to be a new and promising land. However, the stories go on to describe how unemployment, drug abuse, poor housing conditions and government policies had tarnished the once thriving area.
This apparent feeling within the people of Castlemilk reiterated and confirmed the belief of Colin and Gerri Kirkwood that the communities within schemes like this had the ability and the right to express their thoughts, and on a wider scale that the deteriorating condition of inner-city schemes in Glasgow and other Scottish cities in the 1980s had to be recognised.
Further information:
Kirkwood papers (ref: KIR)
Glasgow themed resource guide
Our latest archival display (June - September 2025) on Level 3 of the Library showcases some of the collections featured in the enhanced resource guide.