We’re delighted to share the latest developments in the Archie Hind centenary project. Recently we’ve been bid-writing, meeting with Hind family and friends, and conducting our first archives engagement event using the collection.
If you’re new to the project, our first blog post explores the discovery of Archie Hind’s archive, the significance of his papers, and our early plans for the centenary. You can read it here: The ‘Rediscovery’ of The Dear Green Place: Introducing the Archie Hind Centenary Project
Republication launch at Glad Café (22 September 2024)
Following the interest generated by the discovery of the Archie Hind papers, the original publisher of Hind’s novel Dear Green Place, Birlinn, agreed it was time to republish the work. It became Waterstones ‘Scottish Book of the Month’, September 2024, with a huge number of copies sold.
We celebrated the republication with a launch event at the Glad Café, Shawlands. Around one hundred family and friends attended to listen to a panel discussion about the archive collection, watch footage of Archie Hind in interview, listen to a live music performance and reminisce about their memories of Archie and his work.
Meeting Martin Hind (7 January 2025)

It was a great pleasure to meet Martin Hind, the son of Archie Hind, when he travelled from Germany to view his father’s papers in January this year. He hadn’t seen the collection for several years and some items he had never caught sight of at all. He was a font of information about the life and work of his father, and he could give us an insight into the experience of the success and acclaim Archie received for his novel, from the perspective of someone within the Hind household! We hope to see Martin again this year.
Book group sneak preview (17th February 2025)

We were excited to share a preview of the Archie Hind collection for a group visit in February. The Strathclyde Lifelong Learning book group came to hear Eleanor Bell speak about Archie’s novel and give a short introduction to his papers. Attendees were able to see the original manuscript of Dear Green Place as well as one of the scrapbooks Archie’s wife, Eleanor, collated after the success of the novel. The book group were delighted to hear more about Archie Hind, his deep association with Glasgow, and enjoy a preview of the treasures within the archive collection.
We have also been working on funding applications so stay tuned for further updates throughout the year.
We are delighted to welcome David, an MSc Information and Library Studies student on placement with us in Archives and Special Collections this semester. In this guest post, he shares his insights into the Aldred collection.
As someone with a research background relating to Holocaust writing and Holocaust memory, the contents of one of the library’s special collections immediately caught my eye. Containing a range of socialist and anti-fascist pamphlets, texts and serials published between 1839 and 1971, the Andersonian library’s Aldred collection is an excellent resource for those looking to gain insight into British and American responses to historical anti-Semitism. It could be of particular interest to those, for instance, who are looking to research periods and perspectives that are not often represented in contemporary writing.
Anti-Semitism in British Culture
As an example, titles such as A.J. LaBern’s ‘The disease of anti-Semitism’ (London: Woburn Press, 1942) and ‘The Jews: Some plain facts’ (London: Woburn Press, 1942) highlight the undercurrent of anti-Semitism that had begun to creep into British culture and media during the wartime period, with both aiming to counter this by stressing specific Jewish contributions to the war effort.
Holocaust Memory
As the collection also features materials that were published immediately following the liberation of the concentration camps, it also provides valuable insight into another period that is often under-represented in contemporary Holocaust writing. Specifically, this would be the period that Barbie Zelizer1 has referred to as the “first wave” of Holocaust memory. This period is generally viewed as spanning from the liberation of the concentration camps to the end of the 1940s and is heavily informed by the photographs that featured in British and American media during this time. As such, the emphasis is not yet placed on camps such as Auschwitz, which has come to form a vital part of contemporary Holocaust memory, but on places such as Dachau, Bergen-Belsen and Buchenwald. In this light, Victor Gollancz’s pamphlet ‘What Buchenwald Really Means’ (London: V. Gollancz ltd., 1945) is particularly valuable, as it features a fascinating post-liberation framing of the Holocaust. Importantly, Gollancz emphasises the failure of the British media to capture the reality of the genocide as it was taking place and, correspondingly, he chastises the British government and the British public at large for failing to take decisive action in preventing the genocide. The text also offers a noteworthy discussion of collective punishment and, specifically, Gollancz questions whether the German people can be held collectively accountable for the actions of the German government. As he puts it: “People forget what an unspeakably efficient instrument of oppression is a modern dictatorship...” As with many of the resources contained within this collection, therefore, this document provides a valuable perspective that is specific to the period.
This kind of resource can therefore have tremendous value for those who are looking to gain additional insights into specific historical periods or who are looking to understand the immediate framing of certain events. As very few of these documents will have been preserved physically, due to the inherently disposable nature of pamphlets, this collection also offers the chance to closely examine these rare materials. This is very much worth it, as these are rare and often compelling windows into global historical events.
1 Remembering to Forget: Holocaust Memory Through the Camera's Eye. University of Chicago Press. 1998.